Berklee College of Music
I can’t believe summer is drawing to a close! Well, not really…It’ll still be really hot down here in middle Tennessee for at least another month or so. But to me, especially being from the north, Labor Day weekend always feels like the end of summer – kids go back to school, it begins to get colder, the holidays start creeping up, and so on. And it has been a great summer, at least for me. I worked hard, played some cool shows, hosted a couple of Berklee alumni events, took my first yoga class, released a CD of originals with my band “Skinny Buddha” and had an action-packed 10 day trip to New England, during which I gave a clinic and performance at the Berklee College of Music. And most importantly, I celebrated another anniversary with my wife and best friend of 18 years (I think this is the beginning of a beautiful friendship…).
So what’s in store for the fall, you might ask? I’ve got lots going on – I just had the transmission rebuilt in my van, began a new round of P90X, started an herb garden on my back deck, plan to have a yard sale this coming weekend…seriously, I do have a lot of big things in the works.
Skinny Buddha will be the guest artist on “The Mando Blues Radio Show”, with the taping coming up on Monday, November 16, and aired on Wednesday, September 18 on 107.1 FM Radio Free Nashville. Thanks to Whit Hubner from Nashville’s very own “Hippie Radio” we will be rocking the “Mando Blues Tent” with a six song performance. If you haven’t yet discovered it, Hippie Radio is the coolest radio station in Nashville, and you can get a free phone app from their website and listen to them anywhere. Pretty groovy stuff!
Coming up in October, I’ll be playing guitar with “The Peach Pickers” featuring Rhett Akins and Dallas Davidson on the sold out “Luke Bryan Farm Tour”. We did this last year and it was a hoot! This year’s band will consist of Nick Forchione on drums, “G-men” Mike Chapman on bass and Chris Luzinger on guitar, and yours truly on guitar and harmony vocals (for those of you who don’t know, the G-men are an infamous group of Nashville session players who played on all of the Garth Brooks records). Look for us when we come to a farm near you!
On Monday, October 28 I’ll be hosting the last Nashville Berklee Jam of 2013 at The Rutledge with special guest speaker, performance coach, Diane Kimbrough. Diane has coached a wide array of artists ranging from beginners to artists like Shania Twain and Toby Keith. After her talk, she will be critiquing and coaching some of the regular performers from our bimonthly jam. This event is open to the public and should be a great night!
Starting in November, I will be playing some shows with a northern Alabama-based band “The Flashbacks”. Along with Mike Chapman and some other veteran players, I will be digging into a night of 60s and 70s R&B and Motown.
On Wednesday, November 27 Skinny Buddha will be performing a set of Jimi Hendrix music at Nashville’s “Soulshine Pizza” for their special “Jimi Hendrix Tribute Night ” being held on the great guitarist’s birthday. This night will begin with our performance at 9 PM and will conclude with a second show of Hendrix music performed by the legendary, Phil Brown (formerly of Little Feat). This is a great excuse to learn some new Hendrix tunes (well, new to me) and I’m planning on digging into some deep cuts like “Who Knows”, “Hear My Train a Comin’”, “Drivin’ South” and “Stone Free”, in addition to my regular repertoire of Jimi favorites. For any of you that know me, this is an extra special night; one I am honored to be a part of. I first heard Jimi Hendrix at the age of 11, when the sounds of his Woodstock performance of the Star-Spangled Banner sent me on a musical adventure that I am happy to be still exploring.
And lastly, I am planning to record some more Skinny Buddha music.
That’s about it for now. I hope you all had a great summer and that the fall will bring you much peace and happiness. I guess I’d better go clean out my garage to get ready for the big yard sale!
Our second “Nashville Berklee Jam” at The Fillin’ Station in Kingston Springs this past Tuesday was a great success! The guest speaker on this night was none other than Nashville’s award-winning vocal coach, Judy Rodman. Judy has played many a role in the Nashville music industry over the years – recording artist, A-list session singer, producer, hit songwriter – and on this night her talk focused on different career paths for vocalists. Judy was involved in the writing of my book “The Nashville Musician’s Survival Guide” and, backing up my theory of the necessity to “wear a lot of hats”, she talked about multiple streams of income for today’s musicians and artists. Among the potential jobs for vocalists she outlined were artists, live singers, and session singers (jingle singers, background vocals, demo singing, and voiceovers).
Here are a few excerpts:
“Recording artists need vocal ability, because the mark is up. Even with pitch fixing, rhythm fixing…your vocal needs to be as good as it possibly can be because it’s going to sound more natural and it’s going to be more emotionally compelling…You also need a ‘unique artist definition’…it’s not good enough to be just another great singer…you really need to be unique and find your own definition as an artist – your uniqueness, your vocal uniqueness – which means you need to explore your whole voice and your life experiences that you’re going to put into your art. The sound of your artistic definition is going to have to do with the sound of your voice, the choice of your instrumentation, and your message… Artistic definition takes exploration. For those of you wanting a career as a recording artist I would say don’t shortcut your experimentation.”
“For live background singing – you need to have the ability to trace and completely blend and go with the nuances of the voice of the singer you are looking to back…You’ve got to be able to change your sound as the artist wishes…you will of course have to have the ability to sing harmony parts and hear them… you have to have a specific look – whatever the artist is looking for. You need to network and find out who is gigging, who is in need of background vocalists.”
“Session singing…You need great vocal technique, usually you’ll need some vocal training…you really need to have surgical control of your voice for pitch, sound, blend and nuances –because time is money in the studio…You need to of course hear harmony parts quickly, you need to have the ability to read manuscript…but you also need to know the Nashville Number System.”
Judy then gave some practical vocal technique tips before answering several questions from alumni. Click on the following links if you would like to hear her talk in its entirety.
Judy Rodman Talk – Part One (21 min)Judy Rodman Talk – Part 1 (21 min)
Judy Rodman Talk – Part Two (21 min) Judy Rodman Talk – Part 2 (21 min)
There is also a ton of useful and practical information for vocalists at Judy’s website www.judyrodman.com.
When her talk concluded we began the jam portion of the evening with our house band backing Judy for two songs to start things out. Her second tune, “One Way Ticket”, was a number one hit she wrote that was cut by LeAnn Rimes. Judy’s vocal performance was emotionally charged and inspiring to say the least, and this set the tone for the rest of the evening. A special dynamic on this night was the “optional vocal performance critique” that Judy offered for willing participants. To break the ice, I decided to go first and sang my two songs with the house band. After my first song, Judy pointed out some of the strengths about my performance and addressed a few things to work on.
The jam continued with several great performances. Brian Lucas, the house keyboardist, sang a great rendition of “Georgia”, for which he took the vocal critique option. This pattern continued for the rest of the night, with literally every vocalist asking for a critique. Among these were Ted Schempp, the vocal duet “Acklen Park” (performing songs they co-wrote with alum, Shantell Ogden), Sarah Tollerson, and Michelle Lambert – all performing original material. After the first song by each performer, Judy offered critiques and then we would try a part of the song again, seeing instant improvement in the vocals (don’t get me wrong, the vocal performances were pretty strong to begin with). Alums, Elton Charles on drums and Rick Carizales on guitar, also sat in and did a fine job backing up some of the guests. Brian Lucas made a big contribution by charting out many of the songs in advance, and Shantell helped out by taking photos and some great video excerpts (see below).
It really was a special evening, fun was had by all and I think everybody learned a few things too. I want to thank Judy Rodman, our house band (Heston Alley on drums, Tom Good on bass, Brian Lucas on keys) and all the alums who participated and helped make this a special evening, I can’t wait for the next one!
The next Nashville Berklee Jam will be held on Tuesday, April 10th at the Fillin’ Station with special guest, Reese Wynans, formerly of Stevie Ray Vaughn & Double Trouble. His talk will share perspective on being a lifelong career musician, working with SRV, and the importance of understanding blues and roots music. Please check our website regularly for updates.
Berklee is alive and well in Nashville! On Monday, November 7 we had our first “New to Nashville” Berklee alumni reception at the NSAI studio on Music Row, and the event was a huge success. Upon the suggestion of Berklee Alumni Affairs Officer, Karen Bell, I put this event together to welcome alum’s who recently relocated to Nashville.
The reception was a three stage event. The meet and greet gave recent transplants a chance to reconnect with their fellow classmates while forming new relationships with some of the alumni who have already been here a while. From what I could tell, out of the 40 or so in attendance, at least half were new arrivals.
After about an hour, everybody took their seats and I gave a brief talk about my Nashville experiences. The talk evolved into a pretty good group discussion, with lots of questions about networking in Nashville. Most of my experience in Nashville has been in the areas of touring, gigging around town, and recording, and most of this discussion centered on these issues.
One alum asked about what clubs and situations would lend themselves for sitting-in with bands. Sitting-in is a great way to build your reputation while making connections that might lead to gigs, and I mentioned a few that are worth checking out – The Fiddle and Steel has a player-friendly jam every Tuesday night; Douglas Corner has “The Loud Jazz Players Jam” every other Monday night; and there are also a few blues jams around the city including one at Carol Ann’s Café on Sunday nights, and The Fillin’ Station on Thursday nights. I also suggested becoming a regular at some of the clubs on Broadway, as this is also a good place to meet players who are gigging regularly.
Rich Redmond, one of the contributors to my book “The Nashville Musician’s Survival Guide”, has one piece of great advice he gives to players who are new to town, and I passed this advice on in response to a question about evolving a music career in Nashville – “Be patient, and take every gig that is offered”. Every gig will potentially lead to more gigs, and no matter how unimportant some gigs might seem, you never know where those roads might lead.
We paused briefly after my talk to give everyone a chance to stretch their legs and grab some more refreshments. Then everybody settled back down into their seats and I proudly introduced the night’s final speaker – country music artist, hit songwriter, BMI songwriter of the year, and my current boss, Rhett Akins. For those of you who aren’t in the know, Rhett is currently one of the hottest songwriters in Nashville, and he shared some great perspective, stories, and advice for all of the songwriters in the room (and judging by a show of hands a little earlier, at least half of those in attendance had come to Nashville to pursue careers in songwriting).
After Rhett’s brief talk about his evolution as a songwriter and artist he also engaged in a group discussion. He spoke candidly about different aspects of being a Nashville songwriter. The Nashville uniqueness of co-writing, the pros and cons of publishing deals, and his lifelong passion for music and songwriting were some major talking points.
Some of the perspective he shared that I found most interesting was the sheer number of songs that he writes, stating “I pretty much write at least one song everyday” and that to wind up with five hits songs, he’s probably written 500 songs. He also said that he and his co-writers try to finish a song during each writing appointment, but that he is also interested in experimenting with writing some songs over a longer period of time, noting that “it took Gregg Allman three years to write Melissa”. After his talk concluded he stuck around for a while, giving those who were interested a chance to speak with him one-on-one.
All in all, the event accomplished what we had set out to do. Some of the newest arrivals to Nashville got a chance to reconnect with former classmates that they didn’t even know had moved here, others made new friendships, and many, myself included, got new insights into the ever-changing world of the Nashville music biz’.
I would like to send out a special thanks to the following people for helping make this event a success: Rhett Akins, Karen Bell, Emily Dufresne, Dave Petrelli, Meg O’Brien, NSAI, Berklee, Heston Alley, and Kelly Normand.
Epilogue: I met with Alumni Programs Officer, Emily Dufresne the following afternoon for coffee, and we discussed an idea I had about organizing a monthly “Berklee Alumni Networking Jam”. More info on that will be coming soon!